Laura Dinnebeil

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Tag: underground comedy

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Video: One Woman Show

November 1, 2013 by lauradinnebeil

“So cutting edge, she’s cut in half.”-Village Voice “Oh, we follow.”-NY Observer Live Performance @ Soho PlayHouse:

Categories: Video • Tags: Comedy, Female comedienne, New York comedian, Performance art, underground comedy

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Archives

Dad the Bernie Bro
The Female Lenny Bruce
“Frigid,” poem published by Locus Media Gallery, NYC
NY Press Essay: Female Trouble
Protected: Sweden
“Pap Smear City,” poem published by Locus Media Gallery, NYC
‘Cocky Arsonist,” Poem published by Locus Media Gallery, NYC
“Image,” Poem published by Park Slope Poetry Project
“Ted Kazinski,” Poem published by the Park Slope Poetry Project
Poem published by ABC No Rio,”Remote and Great.”
NY Press Essay: “Feeling Caged”
Zeitgeistworld.com Essay: Colbert the diva
Dad the Bernie Bro
Web Series: Episodes 3 & 9
Video: One Woman Show

© 2016 by Laura Dinnebeil. All rights reserved. Unauthorized use and/or duplication of any material on this blog without express and written permission from this blog’s author/ owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Laura Dinnebeil with appropriate and specific direction to the original content.

Archives

Dad the Bernie Bro
The Female Lenny Bruce
“Frigid,” poem published by Locus Media Gallery, NYC
NY Press Essay: Female Trouble
Protected: Sweden
“Pap Smear City,” poem published by Locus Media Gallery, NYC
‘Cocky Arsonist,” Poem published by Locus Media Gallery, NYC
“Image,” Poem published by Park Slope Poetry Project
“Ted Kazinski,” Poem published by the Park Slope Poetry Project
Poem published by ABC No Rio,”Remote and Great.”
NY Press Essay: “Feeling Caged”
Zeitgeistworld.com Essay: Colbert the diva
Dad the Bernie Bro
Web Series: Episodes 3 & 9
Video: One Woman Show

© 2016 by Laura Dinnebeil. All rights reserved. Unauthorized use and/or duplication of any material on this blog without express and written permission from this blog’s author/ owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Laura Dinnebeil with appropriate and specific direction to the original content.

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